Tuesday, January 22, 2013

Olafur Eliasson, born in Copenhagen in 1967 to Icelandic parents, studied at the Royal Danish Academy of Fine Arts between 1989 and 1995.
In 2004 Eliasson told Berlin magazine 032c that his father was also an artist; in the same interview he also said that at one time he considered his "break-dancing" during the mid-1980s to be his first artworks. In 1990, when he was awarded a travel budget by the Royal Danish Academy of Arts, Eliasson went to New York where he started working as a studio assistant. He received his degree from the academy in 1995, after having moved in 1993 to Cologne for a year, and then to Berlin, where he has since maintained a studio.First located in a warehouse right next door to the Hamburger Bahnhof, the studio moved to a former brewery in Prenzlauer Bergin 2008.
In 1996, Eliasson started working with Einar Thorsteinn, an architect and geometry expert 25 years his senior as well as a former friend of Buckminster Fuller's. The first piece they created called 8900054, was a stainless-steel dome 30 feet (9.1 m) wide and 7 feet (2.1 m) high, designed to be seen as if it were growing from the ground. Though the effect is an illusion, the mind has a hard time believing that the structure is not part of a much grander one developing from deep below the surface. Thorsteinn's knowledge of geometry and space has been integrated into Eliasson's artistic production, often seen in his geometric lamp works as well as his pavilions, tunnels and camera obscura projects.For many projects, the artist works collaboratively with specialists in various fields, among them the architects Thorsteinn and Sebastian Behmann (both of whom have been frequent collaborators), author Svend Åge Madsen (The Blind Pavilion), landscape architect Gunther Vogt (The Mediated Motion), architecture theorist Cedric Price (Chaque matin je me sens différent, chaque soir je me sens le même), and architect Kjetil Thorsen (Serpentine Gallery Pavilion, 2007). Today, Studio Olafur Eliasson is a laboratory for spatial research that employs a team of c. 30 architects, engineers, craftsmen, and assistants who work together to conceptualize, test, engineer, and construct installations, sculptures, large-scale projects, and commissions.
As professor at Universität der Künste Berlin, Olafur Eliasson founded the Institute for Spatial Experiments (Institut für Raumexperimente, IfREX), which opened within his studio building in April 2009.

Who is Olafur Eliasson?

Olafur Eliasson is not a traditional artist. His best-known works cannot be hung on a wall and do not involve paint or a camera or sculpting materials. Eliasson creates what is known as installation art. This unconventional modern art form can be described as art that viewers must walk through or around to experience. Installation art is usually created for a particular space, whether inside a museum or outside in a field, and for a particular period of time. It cannot be owned by collectors or museums: it exists for a time, and then it is taken down. It cannot be preserved for future generations, except through words and photographs.
Eliasson's works make use of natural elements, including light, water, fire, and wood, and he often combines these elements to re-create the outdoors inside, producing effects such as an indoor waterfall or rainbow. The artist has been displaying his works for the public since the mid-1990s, gaining an ever-larger following among art lovers.


Read more: http://www.notablebiographies.com/news/Ca-Ge/Eliasson-Olafur.html#ixzz2IdSA09za